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Pertaining to the Céile Dé Priest Masons, those who practice the "black art", and the word & name Smith as discussed previously, there is this revealing passage in Hamlet's Mill by Giorgio de Santillana and Hertha von Dechend:
Moving now to another great theme, in fact a very great one, it is possible to trace back the significance of the blacksmith in Asiatic shamanism, particularly the celestial blacksmith who is the legitimate heir to the divine "architekton" of the cosmos. Several representatives of this type, whom we call Deus Faber, still have both functions, being architects and smiths at the same time, e.g., the Greek Hephaistos, who builds the starry houses for the gods and forges masterworks, and the Koshar-wa-Hasis of Ras Shamra, who builds Baal's palace and forges masterworks also.
The Yakuts claim: "Smith and Shaman come from the same nest," and they add: "the Smith is the older brother of the Shaman," [n29 P. W. Schmidt, Die asiatischen Hirtenvolker (1954), pp. 346f. Concerning the terrestrial blacksmith: the many iron pieces which belong to the costume of a shaman can be forged only by a blacksmith of the 9th generation, i.e., eight of his direct ancestors must have been in the profession.
A smith who dared forge a shamanistic outfit without having those ancestors would be torn by bird-spirits.] which might be valid also for Vainamoinen, coupled with Ilmarinen, who is said to have "hammered together the roof of the sky." It is the primeval Smith who made the Sampo, as we know, and forged sky and luminaries in Esthonia. It is no idle fancy that the representative of the celestial smith, the King, is himself frequently titled "Smith." Jenghiz Khan had the title "Smith" [n30 A. Alfbldi, "Smith As a Title of Dignity" (in Hungarian), in Magyar Nyelv 28 (1932), pp. 205-20.] and the standard of the Persian Empire was the stylized leather apron of the Smith Kavag (appendix # 11). The Chinese mythical emperors Huang-ti and Yu are such unmistakable smiths that Marcel Granet drew historic-sociological conclusions all the way, forgetting the while that Huang-ti, the Yellow Emperor, is acknowledged to be Saturn. And just as the Persian Shahs held their royal jubilee festival after having reigned thirty years, which is the Saturnian revolution, so the Egyptian Pharaoh also celebrated his jubilee after thirty years, true to the "inventor" of this festival, Ptah, who is the Egyptian Saturn, and also Deus Faber. It was necessary to enter this subject in depth abruptly and lay stress on these few selected data, because otherwise the charming and harmless-looking Finnish runes would not be seen for what they are, the badly damaged fragments of a once whole and "multicolored cover." It does no harm to stamp Vainamoinen a "shaman" as long as one remains aware of the background of shamanism. In fact, there is again a vision in depth from seeing that Vainamoinen has discarded the drum which remains the one instrument of his Lapp cousins; he has created the harp, and this means that he must be seen as the Orpheus of the North.
which simply means per the dictionary: informal gathering . He did however refer to Bacons Royal Society as also being an antecendent but that society/movement was spawned at Oxford University which dates back only to the 9th or 10th century. The Ceile De is Celtic and I believe Rosicrucianism was passed on from the Celtic/Druidic "priests" too. It has to do with etymology of the word Rosicrucian.
Learn something every year me. 
]) is the same as 'gowan/goban'. A freeman/freemason seer, working the black art, also known as the "opening of locks"! Metaphorical, as well as literal surely.